The Extinct Song

The Shamebird Shack

On Dutch-owned Mauritius, in 1679, a tentative love-affair develops between two mismatched young women - a fisherman's daughter and the hellion offspring of the colony's Deputy Governor.   But neither girl is aware of a threat coming towards them from across the high seas; one that could spell doom for their families and entire way of life...


What is the secret of the 'Shack'?   And what ties it to the destinies of the lesbian lovers, and that of the strange, flightless 'Shamebirds' (a.k.a. Dodos) that populate the island?


EXTRACT: 

   She was trying to savour it all: the warmth of Lena’s body in her embrace; the silken brush of hair over her fingers; the taste of her kisses, neutral yet unbearably sweet; but the urge, the primal boiling urge was beginning to control her, overriding all her genteel instincts.   Their mouths were wide open, tongues thrashing in a foaming tide of spittle – they had to break for breath, or drown.

   “I want you,” Lena gasped, voice all girlish and vulnerable.   Dara ached to accommodate her; yearned with every fibre for physical congress – but still she could not shed all inhibition.

   “I… I don’t know what to do,” she pleaded.

   “Do whatever you want,” Lena hissed, urgent with need, “just do it.”   And she crushed her mouth once more upon Dara’s.

   They tore at each other’s clothing, literally in Dara’s case – seams popped and fabric was sundered.   Moaning and panting, delirious from kisses they divested: Dara took one last look into those deep green, utterly pliant eyes, and knew she could lose herself in them forever.   With gentle power she pushed Lena down to the floor: morning light washed across her body, picking out the sweep of her firm jaw; her delicate throat; the soft swell of her breasts, their nipples taut cones of ochre rose; the delicate contours of her ribs; the flat plain of her stomach, black curls beneath lush and enticing.   Dara wedged herself between powerfully graceful thighs, pressing and pushing with a motion that was somehow innate.   Her own breasts felt huge and heavy, aching and glowing where they brushed upon her lover’s; the glide and rub of skin on skin was intoxicating.   They kissed with a frenzied urgency.

   “Dara, be my man,” Lena panted.   “Take me.”

   Dara flexed down forcefully, and Lena flexed up to meet her.   Heavy friction burned their bosoms and loins, shot through with occasional sparks of white heat where their nether regions touched.   The motion intensified, consuming all their energy yet still confined in one narrow space.   Lena drew up her legs, exposing herself further, her ankles brushing thrillingly against Dara’s buttocks and the backs of her thighs.   Dara had no need for the cauldron to boil: it poured freely through her, streams of liquid gold running from her breasts to the pit of her stomach, and on down to the seat of her pleasure.   She raised her head, face strewn with damp fronds of her own hair, and let go.

   “Lena,” she cried.   “Lena, Lena, Lena…”

Sirens

On bleak Bering Island in 1765, Jorin Wimakov ekes out a strange, hermitic existence with his beautiful daughters, Karena and Lenta.   But that existence starts to crumble when a young sailor, Yuri, is literally dumped on their shore: long-buried secrets and forbidden desires come bubbling to the surface, massive and unsettling as the giant 'sea cows' that roam the grey waters all around; secrets that presage violence and, potentially, murder.


Are Jorin's daughters mere innocent maidens, or are they dangerous, seductive sirens?   How far will their father go to protect them, and how far will young Yuri go in pursuit of his own twisted ambitions?


EXTRACT: 

   Long hours dragged by.   Darkness fell unnoticed as they lay in anxious silence, alert for the slightest sound outside, but hearing only the lulling hiss of the distant tide.   The wind had dropped, and the air inside the sealed cabin was already taking on a musty tinge.   Sleep proved impossible in the bed’s smothering confines, and at length Karena threw back the heavy covers.   Unexpectedly, Lenta’s arms snapped instantly around her shoulders, and her face nuzzled into her neck.

   “Don’t leave me,” she mewled.  

   “I’m not going to leave you,” Karena replied, tenderly patting her sibling’s arm.   “It’s just too damned close, is all.”

   She felt the arms encircle her ever more tightly; something tender and wet touched her cheek.

  “I love cuddling you,” Lenta whispered.   “You’re so warm and soft.”

   “I thought I was an old maid?”

   “I didn’t mean that – you know I didn’t.   I was just lashing out ‘cause I didn’t want you to be right.   But you were right, Karena – you’re always right.   I couldn’t bear the thought that all Yuri said about me being beautiful was a lie.”

   “He wasn’t lying, not about that – you are beautiful, Lenta.”

   “Not as beautiful as you.   You’re the prettiest - that’s why you’re Papa’s favourite.”

   Karena shivered faintly, not from cold.

   “Let’s not talk about it any more.   It must be getting late – try to get some sleep, Little Swan.”

   She turned her head, and kissed her sister on the lips.   To her surprise, Lenta kissed back.   Their lips brushed twice, three times, then seemed to bond of their own accord in a long, salt-sweet fusion.   Karena’s arms now held onto Lenta as fiercely as Lenta held her, and an unearthly wave of shuddering emotion passed through her being.   It was only the fear of imminent suffocation that caused her to pull her mouth away.   Though Lenta’s face was mere inches away she could not see it; but she could hear the harried breathing and rapid heartbeat, mirroring her own.

   “Lenta,” she said thickly, “we shouldn’t.”

   “You said I was a swan,” Lenta’s sweetwater sibilance dripped at her ear.   “I couldn’t believe it until you said it.   Am I really a swan?”

   “Of course you are,” said Karena, and tenderness like a sea swell rose within her.   “A beautiful, fabulous swan.”

   Despite herself, she kissed Lenta again, just to taste her lips, which were like and unlike every pleasant flavour she’d known since childhood.   This time she disengaged with an effort.

   “I want to be your swan,” said Lenta.   Her voice was clear and definite, like a child’s.   “I love you, Karena.”

   Their next kiss was long and slow, sweet saliva ebbing between them, saying nothing yet saying everything.   They were trembling now: not so much from fear that they were crossing an unknown threshold; more from anticipation of what that crossing might bring.

   “Do you still feel hot?”   Lenta’s voice seemed to come from miles away, across the ocean.

   “Hotter than ever,” Karena sighed.   Her heart was banging against her breastbone.

   “Maybe you should take your nightdress off.”

   “Only if you take yours off, too.”

   “Do you want me to?”

   There was a silence so thick you could carve it into rashers.   Karena tried to swallow; found she was unable.

   “Yes,” she said at last, faint but distinct.

Imperfect Blue

South Africa, 1798: in the chaotic aftermath of Britain's annexation of the Cape Colony, career diplomat Sir James Emnett is tasked with establishing the loyalties of noted Huguenot vintner Pierre Wibaut.   While these men bond over a shared desire to hunt the elusive 'Blue Buck', their respective wives - Bailey and Colette - embark upon a tentative rapprochement of their very own.


What secret passions lurk beneath the respectable veneers of these two power couples?   And do they have the power to rock the very foundations of the mighty British empire?


EXTRACT:

     Her knock upon Colette’s door was so feather soft it was all but inaudible – and yet the door opened.   A fluttering night candle illuminated the boudoir, but not Colette’s beauty – that seemed to emit its own light, as she stood there, swathed in a satin shift.

     “I wasn’t sure you’d come,” she murmured.

     “I don’t know why I did,” replied Bailey, honestly.

     Colette beckoned her inside, and closed the door.   Candlelight softened the room’s brightness, turning it cream and grey.   They stood regarding each other for several awkward moments.

     “You said,” Bailey at last spoke up, “You said I should consider an affair.   Did you mean, with you?”

     Colette nodded gravely.   “Does the idea disgust you?”

     “I...” Bailey hesitated.  “No, but – is such a thing even possible?”

     “Would you like to find out?”

     A hint of the old cool smile, but there was a hunger burning in those emerald eyes; and Bailey found herself responding to that, her chest suddenly tight, her pulse quickening.   She took a step forward, raising her chin a little to brush her lips against Colette’s, a cautious exploratory gesture.   Colette encircled her with long, slender arms, drawing Bailey close so their bodies pressed softly; a strange, illicit thrill through fabric.   Colette stroked Bailey’s hair, stirring its thick darkness, studying her face at close range – Bailey had never known such a gaze; it seemed to flood her with verdant light, illuminating all her secret selves.   She touched her fingers to Colette’s cheek, aware as she did so that she was trembling.

     “You’re so beautiful,” she whispered.   “I don’t know if I can stand it.”

     Colette’s second kiss started soft, bowing her lips a little so that Bailey felt the fullness of it, so different from James’s tight-lipped dabs.   The novelty of kissing a woman, of holding a woman so close – Bailey knew she should be disturbed, but at worst she felt a touch unreal, still slightly dizzied from wine.   Regardless, her pulse was still rising, a warm blush creeping across the base of her throat.   The kiss lingered, becoming deeper, sticky and moist.   Bailey gave a little subconscious gasp as Colette’s lips blossomed open, forcing her to follow suit.   Colette’s tongue probed gently into her mouth, a true French kiss, bringing a sudden wet sweetness; it drove all else from Bailey’s perception, save the thudding of her heart and the white-hot pulse within her.   Breathing frantically through her nose, she held Colette’s tongue with her lips and touched it with her own, tasting it, savouring that quivering, yielding invasion.  They kept the kiss until it felt as though their lips might chap, until their tongues ached and they were all but breathless.  And when they broke, Bailey knew for certain that the affair was not only possible, it was inevitable.   Colette’ eyes shone at her with pure jade desire, and she felt the blush spreading out across her whole body, making her tingly, making her ache.

     “I want to say something French and romantic,” Colette breathed, a little sorrowfully.   “But the words do not translate.”

     “Then just say what’s on your mind,” replied Bailey, and her own voiced seemed strange to her, like a little girl’s.   Like a little girl who, long ago, had fallen in love with her teacher, never dreaming that love might one day sag into boredom and frustration; might be overridden by something new, and raw, and irresistible

     Colette smiled, actually a little shyly.   “I should very much like to fuck you, Bailey Emnett.”


Last Redoubt

Iceland in 1844 struggles under the unwelcome dominance of Denmark, and into this fervid atmosphere steps Ansel, a Danish naturalist seeking the last surviving specimens of the 'Garefowl' or Great Auk.   He finds them, but he also finds far more: in particular, a bizarre situation involving a maiden aunt, a widow, two young girls named Cariad & Kristabel, and a proposed 'marriage' in which no males are involved.


Can Ansel assert his authority and prevent perversion as well as carry out his mission?   Can true love blossom amid the permafrost, in spite of the myriad obstacles placed before it?


EXTRACT:

   A massive sense of longing and inadequacy dragged at Cariad’s heart.   She had imagined this night, pictured it in her most secret fantasies, but now it was here she seemed unable to make it happen.   She gazed at the body beside her, so vibrant and so enticing, and felt helpless.   Perhaps Gerda was wrong – what pleasure could be gained from awkward fumbling?   Kristabel seemed to sense her despondency, for she raised herself suddenly, strong arms enfolding Cariad, as kissed her with a passion that was like raking a fire.   Spittle like honeydew filled Cariad’s mouth; she breathed in soft pale skin and wild blonde waves, and fell in love all over again.

   Kristabel, unaccustomedly forceful, rolled her onto her back, kisses smothering whatever protests or questions she might frame.   Golden hair like spun sugar splashed across her breasts, making them ache monstrously.   Kristabel lowered her head, soft lips nuzzling the dark fringe of one areola; the tip of her tongue skittered over the straining teat.   Cariad could not stop herself crying out, eyelashes fluttering wildly.   She put her hands to her head, unsure what to do with them, as Kristabel gently but ruthlessly suckled her yearning breasts.   Then Kristabel shifted lower, kissing her way down Cariad’s sumptuously fleshy torso: Cariad’s ache surged ahead of her, plunging down from her bosom to erupt in a slash of sodden fire below her belly.   She was wet now; wetter than Kristabel, wetter than she could have imagined: and the thought of what her lover was about to do only added to her inner flow.   She raised her pelvis slightly, letting her knees part: Kristabel paused nervously, one hand upon Cariad’s stomach, her cheek pressed against the tawny satin of a thigh; gazing upon the abundant thicket of silver-black curls, and the scarlet seam that glistened through them.   She breathed deeply.

   “The sea,” she whispered, voice awestruck: “you’re just like the sea.”

   She dipped her head decisively, and raw sensation flared out from Cariad’s loins, making her cry out in an involuntary gasp.   It was so strong that Cariad’s immediate urge was to squirm away – she grit her teeth and braced herself as though fighting some great silent gale.   Kristabel’s tongue, around and in her vulva, felt massive, a flaming torch probing her vitals: each delicate lick transmuted into a voluptuous tremor of nigh unbearable feeling.   Cariad tried to stop herself moaning incoherently; when that failed, she tried to come up with words, but all that flickered across her diminishing consciousness were vague, unformed obscenities.   Her arms flailed stupidly, wrists thumping the headboard and pillows, fingers tangled in the damp tendrils of her own hair.   The back of one hand trailed idly across a swollen breast, and the sensation was so acutely harmonised she could not resist pursuing it.   She ran her fingertips across her distended nipples, and found herself shivering uncontrollably.   She couldn’t tell if what she was experiencing was pleasurable or not: it was consuming her, and it had to be indulged.   Before long she was openly playing with her breasts, almost revelling in the feeling of bloated massiveness.  

   The change was so fast and subtle she barely noted it: a delicate switching, like a musical key.   The aching fire in which she burned seemed to change direction, flowing out instead of in, accelerating like a loose boulder tumbles down a cliff.   Without realising, she had lifted her whole body clear of the mattress, pushing up against Kristabel’s relentlessly intruding tongue.   It was almost upon her before she could appreciate what was happening, and somewhere in a dim corner of her mind she knew that Gerda had been right, as ever: it was more fun to find out.   The event – how else to describe it? – was beyond her articulation; but not its adored authoress.

   “Kristabel,” she cried, and felt she should say more in the seconds left to her.   But only one word could speak of the utter decisiveness that filled her: “Yes.”


Succubus

The Falklands, 1853: amid anti-Argentinian fervour, the dour existence of young Juliene Gricer is upended by the arrival of famed explorer Sir Lynton Gransden - or, more precisely, his enigmatic wife Mariella.   When the latter proposes an expedition of her own, in search of the elusive 'Warrah' or Falklands Fox, it touches off a train of events that not only threatens Juliene's innocence, but also her sanity and perhaps even her life.


Just who or what is Mariella Gransden?   And how is she connected to the Warrah, a creature Juliene's mother asserts is vampiric in nature?


EXTRACT:

   And now Mariella drew down the coverlet, slowly and stealthily, and though Juliene could feel herself being exposed she had no voice or will to protest.   Cool air flowed about her thighs and waist, only heightening the heat concentrating at their conjunction: a pulsing, shameful ache such as she had never known before; overriding all sense of chastity, all fear, all reason.   Light yet percussive kisses sparked below her ribs, across her stomach, around her navel: Mariella in slow, controlled descent, hair like golden feathers trailing, the coverlet swept before her like some departing tide.   Juliene’s heartbeat surged, fuelled by terror-tinged anticipation: she shifted, drawing her legs slightly up, locking them together in a last gesture of defiance, though she knew not what she defied, or why.

   Fingertips, precise as a thief’s, alighted upon her knees: she could not resist looking as with slow, infinitely gentle persuasion Mariella parted her thighs, inserting herself into the chevron thus formed.   Light glowed in her gilded tresses as she paused, firing one last bolt of blue at her, a glance that made Juliene simply blossom, down there in that secret spot, become all raw wet outpouring.  Then Mariella lowered her head, lips parting as though to sup water, and Juliene could bear to look no more.   She fell back, eyes once more closed, incisors involuntarily biting into her lower lip as she braced herself for the unknown.   

   At the first soft slide of tongue between labia she moaned gutturally, her whole body suddenly clenched before just as quickly snapping back to relaxation.   Mariella took her time, long sustained laps along the seam of Juliene’s vulva, from clitoris down towards perineum and back, light kisses interspersing each satin sweep of her tongue.   Juliene quivered and bucked, her body riding the slow rhythm of its own accord; she cried and gasped, shivered and moaned; she did not, could not, resist.   Gradually the tension ebbed: Mariella’s steady stroke, spacing out the white-hot surges of electric sensation, lulled her into a slowly rocking stupor.    Her sighs became high-pitched ululations that were almost harmonic, to accompany the music Mariella made of her body.   But like a virtuoso, Mariella soon began to improvise.   Her tongue, which had worked to swell and separate Juliene’s inner lips, now stabbed deep inside her, once and again before curling back to swirl about the seething, shameless nub of her now rigid clitoris.   The rhythm shifted, accelerated, and beneath the fine high tune a dissonance began to emerge, a building undertone of abandon that progressively eclipsed all else: an impending crescendo.

   Panting now, panting hard and raucous, breath hot in her throat, Juliene at last found employment for her hands.   Everything was building, building; every sinew tightening in anticipation of some unimagined, ultimate release: she put her fingers to her breasts, caressing her own nipples as they too yearned for conclusion.   Mariella’s tongue fluttered savagely against her clitoris, touching off the spark that set her whole body alight, that annihilated her sense of self, sundered the final barrier; thrust her, in one momentous convulsion, into womanhood.

   “Oh Mother, why?” she cried, as the first spasm took her, “why didn’t you tell me?”   And as wave crashed upon ecstatic wave, and her body twitched and writhed with climactic adoration, her plaintive lament continued, “Dear God, why did you never say?”

   But for once, Mother was not there: instead, ‘twas Mariella’s arms enfolded her, sweeping the coverlet over them both as she sobbed and quivered, overwhelmed by the sweet agony of her premier zenith, her inaugural apogee, her very first climax.


Colour of Night

On Jamaica in 1872, the Rev Horatio Smythe takes charge of the 'paradise parish' of St James, bringing along his beautiful but troubled wife, Dinah.   There he meets the local worthy, Councillor King, his lovely if withdrawn wife Nancy, and his enigmatic adopted daughter, Verna.   But all too soon Horatio realises that paradise is a nest of vipers, ensnaring first Dinah, then Nancy, and ultimately himself in its dark coils.


Why does Rev Smythe carry about his person a short length of rope?   Just what is the true story behind the dusky, seductive mystery that is Verna King?


EXTRACT:

 Nancy’s look was faintly pitying.   “I was just like you when I arrived here – full of love for everything and everyone.   But if you stay, you’ll find Paradise is like a fruit: over time, it inevitably spoils and corrupts.   And I fear there is none more corrupted than I.”

   She returned to the illicit drawer, drinking deep and uncaring; gazing hollow-eyed at the unreachable world outside.   Dinah watched her, and as she did so the panther sprang, fully formed, devouring all other thoughts.   Her pulse raced, her throat dried, and she knew she was about to do something unconscionable.   Within her, the shining blue note sang, eager for action: she ignored it as she too rose, implacably.   She touched Nancy lightly on the top of her head, and as the woman turned, in a smooth decisive motion swept the nightgown once more from her shoulders.

   “Give me your hand,” she commanded.   She put three of Nancy’s fingers to her mouth, liberally moistening them with her lips and tongue.   She watched emotions pass across Mrs King’s face, a mosaic viewed in differing lights: astonishment, perplexity, fear.   Under skirt and petticoats her own body seethed, a damp demonic Sirens’ call: touch her, it crooned, touch her bare fleshit doesn’t matter she’s a woman, all you need right now is to feel another’s skin.   She fought down the song, her discipline restored, her will unbreakable.   She tried to smile reassuringly as she guided Nancy’s silvered digits downward, but could not.

   “I shall show you something,” she said sorrowfully.   “I fear it is another vice - but it, too, might help you cope.”

   Nancy drew breath sharply as Dinah guided her hand between her bare legs; she shivered as she touched herself.

   “Go slowly, gently,” Dinah whispered, working the dainty wrist.   “Trace the outline with your fingertips; feel yourself opening to the touch.”

   The room had turned oppressively warm, its silence magnifying the harshness of their breaths.   Nancy King wore a faintly ludicrous expression of studied intensity, like a schoolchild puzzling over sums.   Then, in an instant, her aspect was transformed from merely pleasing to unutterably beautiful: her eyes closed, her face softened, her mouth became a sweet bow of bliss.

   “Oh God,” she breathed, a leaf trembling in the wind.   She sagged against Dinah, clinging on with her free hand.   Dinah put her arms around the pale form, fighting down the urge to kiss this stranger, this virgin wife.

   “Push your fingers deep,” she murmured.   “Go faster, harder; don’t be afraid.”

   Vicariously she felt it all: the frantic working of the delicate wrist, the pounding of Nancy’s heart and pulse.   Mrs King moaned, articulating her body’s inner fugue, each successive sound more intimate, more abandoned, more animal.   Then she threw her head up suddenly, eyelids snapping open, and Dinah gazed into deep brown portals of perfect bliss.   There was an epic, extended exultation of release, and then she seemed to become almost insubstantial, soft and floating as a daisy seed in a summer breeze.   Dinah guided her limp, quivering form to the bed, laid her down, and covered her tenderly with the nightgown.

   “You must be careful,” she whispered.   “This is a terrible thing I have shown you – do not let it take control, or it will destroy you.”

Yellow Tide

The Bonin Islands in 1875 are awash with religious fervour and the fear of Japanese expansionism.   Tamsin Vauxhall, a naive but eager recruit to the circle of the charismatic Brother Jacob, begins her ministering by seeking to convert local harlot Delma de Villiers.   But Tamsin finds the path to Glory in this strange new world beset with dark twists and darker motives, and all too soon she is questioning all the certainties of her young life.


Who, if anyone, 'owns' Delma de Villiers?   And what are Brother Jacob's true intentions towards his ingenue acolyte?


EXTRACT:

   Tamsin pursed suddenly dry lips, the baldness of the invitation catching her utterly off-guard.   Her hand felt strangely disembodied as she reached across, her fingertips alighting on silky smooth, softly yielding flesh.   The curious tension between buoyancy and pliancy was innately fascinating; she tried to focus on that, rather than the disturbing intimacy of the situation.   It was a game, she told herself, as might be played between best friends or sisters.   But if this was all, why did her heart beat so?

   Delma inclined her head, sweet breath escaping her lips.

   “Your touch is soft,” she murmured, “gentle - nothing like those animals.”

   Emboldened, slightly flattered, Tamsin intensified her stroking, gently kneading a voluptuous curve that rebounded endlessly, pleasingly.   Her palm inevitably brushed the broad russet mesa of one nipple: it too yielded, but then seemed to swell and stiffen beneath.   Delma sighed, eyelids fluttering, and for all her excitement Tamsin knew she must stop, before it was too late.   But too late for what?

   Delma’s open robe slid slowly, inexorably off her shoulders, creeping down to expose her slender midriff.   The sudden sight of a vicious bruise upon her ribcage arrested Tamsin’s caress – her fingers flowed to the spot, as though she could somehow draw it out with mere touch.   Delma winced.

   “I’m sorry,” Tamsin whispered, biting her lip.   “She beat you badly, didn’t she?”

   “It was worth it, just to go outside for a while.   It was worth it, to be with you.”

   Tamsin stared deep into the grey eyes, encountering nothing save her own uncertain reflection.

   “What can I do?”

   “Perhaps you could… kiss it better.”

   Delma lay back on the covers, her breasts flattening into soft ellipses flowing from the sweeping chasm of her sternum.   As she drew up her knees slightly the rest of the gown fell away, exposing dainty midriff and the subtle contours of her hips and thighs.   Letting her head fall to one side, she fixed Tamsin with a look that both beckoned and challenged, the faintest twist of a smile at the corners of those luscious lips.   There was a throbbing in Tamsin’s temples, a dry ache in her throat: she was no longer certain if she was in control of her actions.   But nonetheless she leaned across and lightly kissed the patch of spoiled skin, earthen and salted.   Trying to tell herself that Jesus would so the same, she likewise put her lips to a smaller blemish just above Delma’s navel; and another, linear welt below her right knee.   Yet it seemed Jesus had long since departed a room heavily silent save for the faint dab of dry lips and the sweet sighs of a woman, naked and soothed.

   “ Tamsin,” Delma’s voice was almost a purr, “you’re making me wet.”


Age of Reptiles

1875 Ecuador is reeling after the assassination of its authoritarian leader, Moreno.   Senor Gallo, a businessman of dubious political leanings, flees the chaos by heading to the Galapagos, with his fiery daughter Valentina in tow.   There he meets a local priest, Padre Piosa, and the beautiful and mysterious Kasta, a novice nun fleeing her controversial past.   And there are also the huge, ancient, reptilian denizens of the islands, themselves key to one of the fundamental mysteries of life itself.


Does the Padre have a hidden agenda, and if so, where do Kasta & Valentina fit?   Can senor Gallo obscure his political leanings well enough to ensure not only his own survival, but that of his daughter?


EXTRACT:

   Kasta tossed her head back and laughed, a sound wide and open as the ocean itself.   She swished out of the water and across the sand to an invitingly smooth rock.    Valentina followed, settling beside her newfound friend.   She thought of Kasta, swimming naked, and again found herself wondering what body lay under the all-consuming sackcloth: and as Kasta restored her veil she fixated upon the only part of the would-be nun that remained exposed.

   “You have the most beautiful feet I have ever seen,” she suddenly said, shocked to blushing at her own seriousness of tone.   She leaned forward, unashamedly studying Kasta’s elegantly elongated toes, her serpentine arches; the taut ligaments of her ankles.

   “Don’t be silly,” Kasta giggled uncertainly.   “Nobody’s feet are beautiful.”

   “Yours are,” replied Valentina, glancing briefly but meaningfully into Kasta’s face.   She reached down, and her fingers brushed the soft flesh of an instep, dislodging a fine rain of dried sand.   Kasta shivered, slightly but perceptibly: she pulled her foot back, but it was only to cross it atop the other, revealing more.   Valentina knelt, dusting sand from the sole with gentle fingertips, the underflesh pliant like ruffled velvet to the touch.

   “That’s just like Jesus,” Kasta whispered, “washing the feet of His disciples.”

   But Valentina had never felt less like Jesus in her life – there was a roaring in her ears unconnected with the tide: her temples throbbed dizzily.  She stroked the rippled skin from heel to toe in slow, trailing caress, and Kasta’s contented sigh carried on the breeze.

   “I once read” Valentina murmured, “that in some philosophies, the sole of the foot is considered a map of the entire body – touch the right part, and you can stimulate the whole of one’s being.”

   She lowered her lips to brush the marble-smooth web of skin just behind the toes, tasting saltwater, and flecks of clean sand.   She had an urge to put her tongue to the tip of Kasta’s big toe, but at that moment the foot was withdrawn.   Kasta stood up.

   “We have to get back,” she said.   “There is a meal to be prepared…”

The Sky Obscured

Petoskey, Michigan, 1878: rustic, naif Patsey Barsham returns home from college, accompanied by her sophisticated best friend, Petra Davidson.   Her tales of the Midwest's natural wonders come spectacularly true with the simultaneous arrival of a huge flock of Passenger Pigeons; but this event triggers a series of emotional and ethical dilemmas that threaten the futures of both young women, and are poised to split a family asunder.


How far will Patsey go to protect her friend, and the world she loves?   And what dark attitudes lurk beneath Petoskey's rural facade?


EXTRACT:

   Strangely enough their lips were dry as they brushed together, adhering ever so slightly as they touched and receded, like the stray droplets running down their backs; now merging, now flowing apart.   They pecked delicately, heads in constant motion like cooing doves, sometimes missing each other, bumping noses and rubbing chins.   Patsey had no idea why she found such a simple act so alluring, but it seemed part of an inevitable progression: she was sweet on Petra, she was in the tub with Petra; she was kissing Petra.   It felt slightly deviant and utterly delicious.

   In due course Petra rose, drawing Patsey up with her.   As they stood the cooling water surged off them in a torrent, determined wisps of foam clinging about their forearms and knees, their nipples and pudenda.   They smiled shyly for a moment, then eased into another kiss, this one silken, relaxed lingering.   And in its throes Petra gently inserted the cloth between Patsey’s thighs, rubbing delicately and tenderly.   As if it was the most natural thing in the world.

   Patsey gave a little involuntary cry, sagging slightly, for her knees had turned to jelly.   The warm rush of sensation, like melted caramel, was stronger than anything she’d ever known.   She found she was clinging to Petra’s shoulders for support, her head hanging forward, dizzily swamped in her own matted hair.   She seemed suddenly breathless.

   “Petty,” she panted, “I don’t think you should be doing that…”

   “Why not?   Don’t you like it?”

   Patsey couldn’t summon an answer: the cloth remained where it was, diligently cleansing, and she shuddered with bewildered delight.   Though her skin was steadily chilling, between her legs and somewhere deep within her there was heat: a melting glow of joyful incandescence.   It seemed to render her light, floating, insubstantial as a soap bubble; she thought of the pigeons spiralling above, and she too seemed to rise, a fluttering climb.   She was making sounds, mewling and sighing; she couldn’t help herself.  

   The tension within her built so imperceptibly she was barely aware, and when it broke it was shock: a shuddering, snapping release at once blissful and unnerving.   It was like waking from a doze one hadn’t realised you had fallen into.   She was curiously, absolutely aware of everything; especially that fact that Petra was holding her, supporting her, smiling with kindly concern.

   “Was that nice?” she whispered.

Collateral Shift

South Africa, 1878: amid the political fervour of the newly-conquered Transvaal, British administrator Theodore Petroch struggles to contain dissident elements, chief among them the Boer activist Pieter Nimegen.   Into this power-keg he invites his niece, Daliah-Neale Sladen, who immediately forms an intense connection with Nimegen's wife, Tilly, whilst the men attempt to settle their differences during a hunt for the rare 'Quagga'.   But the war of nerves between Brit & Boer threatens to spill into actual violence, and Daliah and Tilly in turn run the risk of becoming collateral damage...


What are the fearful secrets that keep Daliah marooned in Africa?   And how does Petroch intend to use them as a weapon against his bitter foe?


EXTRACT:

   In the midst of another cascading kiss Tilly was suddenly aware that Daliah’s hands had moved: now they pulled, none too stealthily, at the bow securing the neckline of her dress.   She gave a stifled yelp of shock and fear, her hands reflexively snapping upward to repel this intrusion.   But things became confused then, Tilly’s hands tangling in Daliah’s and as much abetting as denying her efforts.   Wordlessly they wrestled, bent somehow upon the same objective: the bow yielded, the neckline loosened; Tilly’s bodice became slack about her shoulders.   The lacy edge of a chemise appeared: under Daliah’s implacably picking nails it stretched and sagged.   Like a harvest moon emerging, Tilly’s breast spilled into the light.   To her own eyes it seemed so pale, a soft creamy tumulus upon which the nipple sat proud, a wide heraldic disc, already taut and tingling; yet to Daliah’s hungry gaze it was as tanned and toasted as the rest of Tilly’s skin – Africa’s ochre tattoo.   She kissed the nipple, lightly sucking its teat with her lips, then sweeping her tongue tip around the aureole’s coppery fringe.   Tilly moaned, suffused with a feathery bliss, at once erotic and deeply maternal – her breast seemed to strain upward, the nipple eager to engorge into soft, warm mouth.   She thought of wet-nurses; knew the secret pleasures of their craft.   Lulled, she was but dimly aware of Daliah’s hands descending, fumbling in the fading light, seeking the heavy hem of her dress, the attendant silky froth of petticoat.   Slowly fabric slithered up her legs, over her knees: Tilly held herself passive, no longer resisting, but determined not to encourage, even inadvertently.   As her shame was exposed, so its need seemed to intensify: a shrieking, slithery ache, a ravenous want for something beyond naming.   But with need came fear, of pain inculcated from a score or more of difficult, disastrous nights, each one a bitter wedding sequel.   Her long, slender, stockinged legs were being gently but decisively parted, and she knew what that meant.

   “Please,” she whispered, averting her face, “Be gentle with me…”

   Yet, the first touch of her vulva was like nothing she had felt, or imagined, before.   A light, seamstress stroke with a single fingertip: curling up between dewy labia, softly tugging the stiffened nub of her enraged clitoris.   A concentric, shimmering wave of raw ecstasy surged through her, making her shudder and sigh, wringing the tension from her muscles, leaving her gelatinously pliant.   One stroke: it opened her like a flower, like ripened fruit; sundered the partition between outer flesh and inner self; left her mindlessly, ineluctably feminine.   Were there a man, she thought dreamily, he would penetrate her with ease; fill her with vibrant seed; make a mother of her.

   But Daliah was not a man: her agenda, her intentions were quite different, though no more or less honourable.   She drew back a moment, surveying in the last slanted rays of sunlight the conquered field: beneath a delta crown of bristling black curls the fiery red labia flourished swollen, parted, all but dripping with fluid desire; the clitoris a shy shining jewel ‘neath its silky scarlet hood.

   “My God,” she breathed, “But you are so beautiful down there…”

Flesh & Grass

The Nebraska of 1880 is still a wild frontier, marked by clashes between natives and settlers, not to mention the ruthless exploitation of the region's natural resources.   Into this tumult arrives Kirstina Hanssen, previously a victim of the conflict, in search of her long-lost sister Marelda.   That search becomes an epic trek into the West, as Kirstina risks all for a newfound love, and has to call upon the unlikeliest of allies to save the remnants of her past...


Given a choice, would Marelda opt for savagery over civilisation?   And how can a pair of conniving brothel-keepers save Kirstina from the attentions of the Union Army?


EXTRACT:

  It was not quite daybreak.   In the powder blue pre-dawn light a low mist caressed the grass that drooped slightly as though still in slumber.   And there, rising up from the ground like she was integral to it all, stood Marelda.   She was utterly, gloriously naked, her tanned flesh surrendered to the dawn chill.   She stood sideways to Kirstina’s viewpoint, face and outstretched arms pointed to the far horizon where a crimson flare presaged Sol’s imminent appearance.   Absorbed by her ritual, she was unaware of her silent, entranced witness.   For the moment Kirstina had forgotten her thirst and hunger, forgotten her aches and the peril of her situation.   She gazed awestruck upon her sister’s lithe form: the strong lines of her cheek and jaw bones; the lilting fall of flaxen hair down her narrow back; the teasingly protruding curve of her high, tiny breast; the more generous curve of her pale buttock; the gentle swell of her stomach; the long, lightly muscled legs.   In a movement that was as near as possible unconscious, her hand slipped beneath the shredded remnants of her skirt and petticoat, penetrating the waistband of her drawers to nestle in the familiar cleft, already moistly humming in anticipation.   With knowing fingertips she kindled her pleasure, watching all the while.

   The Sun broke free of night’s moorings.   Golden light spilled across the land, picking out Marelda’s form as a brilliant burnished statue.   She raised her arms high, letting the sunlight flow over her, and ululated in spiritual abandon.   It was the perfect moment, and Kirstina could not resist either it or her body’s dark, abyssal needs.   The cold air stabbed deep into her lungs in perfect counterpoint to the molten pulse that travelled through her, the silken whorls of inner flesh contracting about the welcome intrusion of her fingers.   Again a moment’s undiluted bliss, and then the shame like a riptide sweeping into her soul, leaving her shaking and wretched.

Idyll

Though thousands of miles from the Mother Country, Chatham Island in 1891 is close to being the perfect English pastoral.   Here Tuesday Lyle lives blissfully with her young family, until the unwelcome arrival of one Suki Schmidt, wayward daughter of a local missionary.   Suki's presence threatens to upend every aspect of Tuesday's  comfortable life, and lead her to uncomfortable, irrevocable choices.


Just what is the 'trouble' that has Suki moved from mission to mission?   And how can Tuesday choose between the divergent demands of family and love?


EXTRACT:

“Take off your dress,” Suki said commandingly, her smile poised between child’s innocence and harlot’s wickedness.   Tuesday grinned indulgently and complied without hesitation; no thought now of any potential witness to their assignation.   She dragged the garment up over her shoulders and flung it provocatively aside, feeling more part of this land than ever as she stood nude amid the grass and lowering sunlight.   Suki gazed upon her exposed white flesh with what seemed wholly inappropriate awe: the girl’s hands trembled as they alighted upon the teardrop swell of her breasts, still firm and tender despite two scions’ worth of suckling.   A thrill like a sudden breath of winter air shuddered through Tuesday as the expansive ellipses of her nipples bloomed and hardened into straining ovals the colour of harvest sunset.   She moaned soft as the breeze that caressed her back.

   “Mein Gott,” Suki whispered, “so beautiful.”

   And she knelt before Tuesday, reverent as a pilgrim; and before Tuesday quite understood what was occurring, she pressed her face into the humid delta of the woman’s groin.   Suki’s tongue, wet and hugely inexorable, curled up between Tuesday’s eagerly parted labia, then rolled back to quiver against her engorged clitoris like a thunderhead pregnant with downpour.   Tuesday threw her head back and shrieked, raptor like, as her pelvis seemed to liquefy and gush.   For a moment it was as if her feet no longer contacted the ground: Suki’s hands clamped upon her snowy buttocks were all that kept her tethered.   Her own hands flailed wildly in space, coming to rest upon Suki’s shoulders where they gripped fierce as talons.    And as that honey tongue paddled in her dilated, eager depths she had a vague maternal urge to inquire where a missionary’s daughter might learn such wicked tricks, but awful unadulterated pleasure overwhelmed the notion.  

   Slowly, Tuesday let herself fall, coming to earth gentle as a feathered seed, her progress cushioned by unexpectedly strong, cradling arms.   She lay, half sobbing, half giggling, in a gossamer tangle of her own hair.   Now free of restraint, she opened her thighs and lifted her hips to receive Suki’s divine oral ministry, for she understood at last what was happening.   It was something elusive and magical; something that had occurred only rarely in her couplings with Lyle; something she had longed to master and define, to bottle like a preserve for future use.   Suki knew: Tuesday’s head swam with the implications, and her breathing was out of control.

   “Yes,” it was the only word her engorged lips could form.   “Oh, yes…”